#VOYETRA MUSIC RACK APP PATCH#
#VOYETRA MUSIC RACK APP SOFTWARE#

The first batch of units are designated Rev1 these were hand-assembled and had significant reliability problems.

#VOYETRA MUSIC RACK APP SOFTWARE#

Experienced performers kept a printed page and parameter map to guide them through the process.В The company eventually released a software voice editor for the IBM PC that made programming much simpler by providing all of the parameters on the computer screen and saving the settings on disk memory.ДЇour basic revisions were produced. Visibility was via three two-digit LED displays, and some parameters had to be entered as hexadecimal values. In order to fit all of the functions, the controls used a 'paged' concept whereby each knob and switch controlled different parameters depending on which of 14 pages was selected. A Step allowed the user to choose from among several voice allocation algorithms, and envelope modes in which the envelope generators behaved differently in relation to when keys were struck or released.Д«ecause of limited panel space on the rack chassis, editing was a rather cumbersome process through the front panel.

#VOYETRA MUSIC RACK APP PATCH#

(It also led, later on, to collectors raiding non-working units for their voice cards to repair other units.) Patch memory consisted of 100 patches and 100 'steps', which were split-layer combinations. were each contained on separate cards inside the rack box, so repairing a faulty unit was an easy process of swapping the card. A built-in arpeggiator and sequencer could be used to create complex patterns.В The VCOs, VCFs, routing circuitry, computer controller, etc. A sophisticated matrix routing system allowed complex combinations of controllers and audio paths. The voice design was based on the Cat architecture, with two VCOs, a low pass VCF, VCA, LFOs, and two envelope generators. TheВ Voyetra 8 module provided a versatile keyboard mode that could be set to play 8 voices polyphonically with one patch across the keyboard, or two patches each with 4 voices using a variable split on the keyboard, or two patches layered with 4 voices, or 4/8 voices all layered as a super-fat mono synthesizer. It could also be used to control several Voyetra-8 modules simultaneously. The VPK-5 included a programmable joystick and was pressure and velocity sensitive. The most notable feature of the Voyetra 8 was its packaging - it was the first synthesizer in a rackmount configuration using a remote keyboard (VPK-5) which connected to the main unit via a standard XLR mic cable. First demonstrated at the NAMM show in 1981 with shipments beginning in 1982, the Voyetra 8 was Octave-Plateau's last hardware synth before transforming into a software company under the name Voyetra Technologies in 1986. The Voyetra 8 was a huge step up from Octave's previous Cat monophonic synth and its variants. This revolutionary design preceded the keyboard-less synths of later years that were controlled by external MIDI keyboard controllers. The unit was packaged as a rack-mount synthesizer module (Voyetra 8) controlled by a remote keyboard (VPK-5). The synth voice design (based on integrated circuits from Curtis and SSM) produced a rich orchestral sound that is still sought after by musicians today. Polyphonic synth designed by Carmine Bonanno and manufactured by Octave-Plateau from 1981 - 1985.

Voyetra music rack app